About me

Davina Shum cr. Tim Walsh

Davina Shum

Davina is a New Zealand-born cellist, editor and writer based in London, UK

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Biography

Davina Shum

  

Davina Shum is a New Zealand-born cellist, editor and writer based in London, UK. As a cellist, she is currently the chairholder for the West End production of My Neighbour Totoro (Gillian Lynne Theatre), having held the position at the world premiere preceding runs at the Barbican Theatre in 2022-23 and 2023-24. She has also held chairs in productions of Rodgers and Hammerstein’s Oklahoma! (Wyndham’s Theatre, 2023; Young Vic, 2022) and Spring Awakening (Almeida Theatre, 2021-22), as well as deputised on Your Lie in April (Harold Pinter Theatre, 2024) and Jerry’s Girls (Menier Chocolate Factory, 2024).


As a journalist, Davina has held the position of online editor for The Strad magazine since June 2021, a role which oversees all digital content on thestrad.com. She was the creator and host of the podcast As It Comes: Life from a musician’s point of view from 2019 to 2022, producing more than 50 episodes, accessed in over 70 countries. Davina was named as one of BBC Radio 3’s Next Generation Voices in 2019, subsequently working as a writer and speech contributor for the Time Travellers podcast.


Following orchestral training with the Auckland Philharmonia Orchestra and Sydney Sinfonia, Davina moved to the UK in 2013 to take up a position in Southbank Sinfonia (now Sinfonia Smith Square). From then, she embarked on a freelance career that saw her perform with orchestras including Royal Philharmonic Orchestra, Bournemouth Symphony Orchestra, Manchester Camerata, Chineke! Orchestra, Paraorchestra, among others. She has performed and recorded with artists including Pete Tong and Heritage Orchestra, Becky Hill, Celeste, ABC, Tony Hadley and Trevor Horn.


Davina holds a Bachelor of Music (Honours) from the University of Auckland School of Music where she studied with Ashley Brown and David Garner, and a Master of Music from the Sydney Conservatorium of Music under the tutelage of Susan Blake and Georg Pedersen.

articles for the strad

Postcard from California: Music@Menlo Chamber Music Festival

Why the US Open mixed doubles champions are the ultimate chamber players

Why the US Open mixed doubles champions are the ultimate chamber players

Davina Shum travelled to California’s Silicon Valley to sample the intense creative atmosphere of the chamber music festival and educational programme Music@Menlo

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Why the US Open mixed doubles champions are the ultimate chamber players

Why the US Open mixed doubles champions are the ultimate chamber players

Why the US Open mixed doubles champions are the ultimate chamber players

Sara Errani and Andrea Vavassori lifted the trophy at the US Open’s revamped mixed doubles tournament on Wednesday night, showcasing the best of their team player skills not unlike those required in chamber music. Cellist Davina Shum (and The Strad’s resident tennis nut) examines what musicians can learn from these specialist doubles players

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Memories at Menlo with David Finckel and Wu Han

Why the US Open mixed doubles champions are the ultimate chamber players

Opinion: Strategies for coming back to your instrument

Davina Shum sat down with Music@Menlo’s co-founders and artistic directors David Finckel and Wu Han to reminisce about previous editions of the festival, which has been a huge part of their lives for the last couple of decades

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Opinion: Strategies for coming back to your instrument

Concert review: Pablo Ferrández (cello), Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan

Opinion: Strategies for coming back to your instrument

Returning to your instrument after a long break can be dispiriting, says cellist Davina Shum, but it’s important to take it by degrees, have faith in your ability and trust the process

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Concert review: Pablo Ferrández (cello), Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan

Concert review: Pablo Ferrández (cello), Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan

Concert review: Pablo Ferrández (cello), Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan

Davina Shum reports back from a rare appearance of the Royal Liverpool Philharmonic Orchestra at London’s Barbican, which featured soloist Pablo Ferrández performing Elgar’s Cello Concerto

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Session Report: Timothy Ridout on recording a new solo album

Concert review: Pablo Ferrández (cello), Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan

Concert review: Pablo Ferrández (cello), Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan

As violist Timothy Ridout makes his first foray into recording alone, he and his producer Andrew Keener tell Davina Shum about the process of setting down music by Bach, Britten, Shaw and Telemann

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As It Comes: Life from a musician's point of view

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